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It is hard to imagine a world without books for children. The very same tale has been heard by the Northmen Vikings, as they lay on their shields on deck; and by the Arabs, couched under the stars in the Syrian plains, when the flocks were gathered in, and the mares were picketed by the tents. The Babees Book, in the Harleian Manuscripts, was written about 14th, for children of royal or noble blood then serving as pages in palace or castle. The English version is translated from the original Latin, but both author and translator are unknown. They are told to turn their backs on no one, to be silent while their lord drinks, and, when allowed to sit down, to tell no low stories or scorn any one, but to be meek and cheerful, and thankful for praise. They are warned not to interfere in affairs of the household, to be ready for service, and, the author adds, —.

Tap, like jazz, is a uniquely American contribution to the performing arts. Its roots are buried in the antiquity of tropical and temperate tribal lands. However, its staccato and style are homegrown. From the West of Ireland to the West Indies to the dance halls of old New York, the drumming of rhythmic feet tapped out an American story that is still unfolding. The faint percussion of European and African feet echoes through the often brutal colonization of the Americas, across the wars that founded and nearly destroyed a nation, over dirt country roads and the scarred boards of stages, in the fading images of old celluloid, and under the pounding rhythm of a modern flashmob, hammering out a crowd-pleasing, syncopated beat.

Upon first glance, Elisey Mysin of Moscow, Russia appears to be just like any other little boy. But behind the cherubic face is a mind capable of producing incredible aural beauty. You see, while the 8-year-old is small, talent is packed into his tiny frame. According to his family, Elisey loved music before he was even born. As he grew up, he continued listening to his sister and then began playing himself when he was just 3 years old.

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