The long-awaited new novel from one of America's most highly regarded contemporary writers, The Committed follows the unnamed Sympathizer as he arrives in Paris in the early s with his blood brother Bon. The pair try to overcome their pasts and ensure their futures by engaging in capitalism in one of its purest forms: drug dealing. Traumatized by his reeducation at the hands of his former best friend, Man, and struggling to assimilate into French culture, the Sympathizer finds Paris both seductive and disturbing. As he falls in with a group of left-wing intellectuals whom he meets at dinner parties given by his French Vietnamese "aunt," he finds stimulation for his mind but also customers for his narcotic merchandise. But the new life he is making has perils he has not foreseen, whether the self-torture of addiction, the authoritarianism of a state locked in a colonial mindset, or the seeming paradox of how to reunite his two closest friends whose worldviews put them in absolute opposition. The Sympathizer will need all his wits, resourcefulness, and moral flexibility if he is to prevail.
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The mystery that surrounds much in the life and work of Shakespeare extends also to his portraiture. The fact that the only two likenesses of the poet that can be regarded as carrying the authority of his co-workers, his friends, and relations — yet neither of them a life-portrait — differ in certain essential points, has opened the door to controversy and encouraged the advance and acceptance of numerous wholly different types. It is curious that some of the crudest and most easily demonstrable frauds have been among those which have from time to time been, and still are, most eagerly accepted and most ardently championed. There are few subjects which have so imposed upon the credulous, especially those whose intelligence might be supposed proof against the chicanery practised upon them. Thus, in the past, a president of the Royal Academy in England, and many of the leading artists and Shakespearian students of the time, were found to support the genuineness, as a contemporary portrait of the poet, of a picture which, in its faked Shakespeare state, a few months before was not even in existence. This, at least, proves the intense interest taken by the world in the personality of Shakespeare, and the almost passionate desire to know his features. It is desirable, therefore, to describe those portraits which have chief claim to recollection by reason either of their inherent interest or of the notoriety which they have at some time enjoyed; it is to be remarked that such notoriety once achieved never entirely dies away, if only because the art of the engraver, which has usually perpetuated them either as large plates, or as illustrations to reputable editions of the works, or to commentaries or biographies, sustains their undeserved credit as likenesses more or less authentic.
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By Common Consent, a Mormon Blog. A friend recently pointed me to a new book, which claims that Joseph was not a carpenter, but rather a successful, middle class and highly intellectual architect, and that from ages 12 to 30 Jesus attended religious schools and became the highest ranking rabbi in the land. The self-published book, by Adam Bradford, is called The Jesus Discovery , and the thesis is described in this newspaper article.
Techniques that analyze the consistency of elements within an image can help to determine whether it is real or manipulated. DOI: In a July article in The Photographic Times, photographers are warned that inconsistent shrinkage in photographic negatives or printing paper could cause distortions in photographs recording the transit of Venus that year, among other subjects.